Cash is of no consequence if sound and performance features are the goal.
Realtime is what people have no issue paying for.
I watch these poor Receptor guys loading sounds and waiting for presets on stage and the idea was to eliminate that nonsense.
We left our hardware samplers for that reason back in 98 for Giga/Scope DAW's and the idea of waiting for loads in 2010 shows me most VST developers are more concerned with the indoor guys. Cool, there are thousands of clients who don't need realtime instrumnets.
But anyone who actually performs live will want an XITE-1 and a Solaris.
It took me 11 years to replace a large hardware rig.
Once I got rid of the giant Oberheims, Yamahas and Hammond/Leslie,I went to a 26U rig w/ 2 x large controllers.
2 years ago I resized to a 16U, and now I can have a fast bad ass 1U Kontakt streamer, a 1U XITE-1, a 3U Analog SE-1, and the F8 MIDISolutions pedal controller all in a 4U.
Solaris and an 88 note controller w/ a pair of Barbetta powered cabinets and I am one FAT BASTARD now.
This rig is a powerhouse of sound featuring the best Analog and digital components.
11 years ago I couldn't even perform w/o a Road Crew.
Now I sound better and can carry everything on a flip Dolley. One trip from Valet to the showroom.......
I can actually do 2 or 3 gigs a day now if I want.
Mobility w/o sound comprimise was the goal.
Soniccore and Bowen have delivered.........
Please post on the Infinite Response changes if there are any.
It was weird action for sure.
The bounceback was exactly like a Grand Piano but the initial attack was as if I was pushing over a folded dollar bill. So yes this was very weird to me too.
The idea of PAT and 88 notes with decent action and a great GUI is what I wanted.
I could barely read their 1" x 2" LCD last year.
I do like the backpack folding thing though.
I have gigs where the powered cabinets aren't allowed so I could actually carry my whole rig in if the 88'r was folded in a backpack.....
I hate gigs like that which are usually good paying jobs close to the Black Jack tables and craps.
What sucks is we have to use a "SoundCop." This is a Casino Security Officer who turns on the board then locks it in Plexiglass so we don't even get an FOH........
Sargeant Sound and the Sound Cops suck major booty, but for 7 bones a week tax free, I can handle a few weeks a year of the torture.
Well it sure helps having a few nice looking waittail cocktresses too,...........sorry I meant Cocktail Waitresses.
Have Fun Guys.........
