Another example of how wild it can get with the Cross mod on the JP6
https://soundcloud.com/polybonk/jp6-crossmod-swamp
2 layers this time. One of them into a delay. More sound design territory than musical.
I really appreciate you taking the time with this. I have always wondered what Solaris would be like if I could recreate this kind of structure.
On a side note I have almost completed a full sound bank of patches to share with everyone.
Thanks so much for your help.
Ring Modulation...and more!
Re: Ring Modulation...and more!
Not sure if the following links are of any use but they have some related info on the JP6 Cross Mod so I figured I would post them just in case. 
http://www.florian-anwander.de/roland_jp6/
Modification No.2: Change logarithmic VCO2-to-VC01-modulation to linear FM
and
https://www.gearslutz.com/board/showpos ... stcount=73
I tried this mod out a while ago but in the end I seem to recall reverting back to the original Cross Mod as I preferred the whackier timbres it produced.

http://www.florian-anwander.de/roland_jp6/
Modification No.2: Change logarithmic VCO2-to-VC01-modulation to linear FM
and
https://www.gearslutz.com/board/showpos ... stcount=73
I tried this mod out a while ago but in the end I seem to recall reverting back to the original Cross Mod as I preferred the whackier timbres it produced.
Last edited by t_tangent on Wed May 27, 2020 12:14 pm, edited 1 time in total.
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Re: Ring Modulation...and more!
Well, it’s interesting that he states it is logarithmic FM instead of Exponential FM. That is a key to the results you are hearing.
Could you make an example of the 2 saw waves that you did, with the Cross Mod at full amount, then play across the keyboard, say, C2 E2 G2 C3 E3 G3, etc.?
Could you make an example of the 2 saw waves that you did, with the Cross Mod at full amount, then play across the keyboard, say, C2 E2 G2 C3 E3 G3, etc.?
Re: Ring Modulation...and more!
Thanks for the info T_tangent
Hey John.
No problems. Here you go.
This Jupiter 6 is in need of a service so some of the voices are out from one another unfortunately. But its close enough.
https://soundcloud.com/polybonk/full-cr ... ple-keys-2
So Logarithmic FM hey. Is that something we could do with the AM modulators? I don't have Solaris hooked up at the moment so I cant remember.
Hey John.
No problems. Here you go.
This Jupiter 6 is in need of a service so some of the voices are out from one another unfortunately. But its close enough.
https://soundcloud.com/polybonk/full-cr ... ple-keys-2
So Logarithmic FM hey. Is that something we could do with the AM modulators? I don't have Solaris hooked up at the moment so I cant remember.
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Re: Ring Modulation...and more!
Well, I’m not sure if this is really correct, as I see at https://electricdruid.net/roland-cross-mod-metal-sync/ the author states,
>
> Jupiter 8 “Cross Mod” is FM from VCO2 modulating VCO-1. This is described in the manual as “ring modulation style effects” which is true in as far as they can both produce non-harmonically related pitches. Technically, they’re not similar at all.
>
> Note that this FM is fed to the 1V/Oct CV input of the oscillator, so it is exponential FM, not linear FM.
>
> The Jupiter 8 also offers classic hard sync from VCO-1 (master) to VCO-2 (slave) with its “sync” switch.
> Jupiter 6 Cross Mod and Sync
>
> Jupiter 6 “Cross Mod” is FM from VCO-2 to VCO-1, just like the Jupiter 8. There is a CEM3360 VCA which controls the amount of FM, and this can >be set manually (the “Manual” slider in the Cross Mod section) or via Env-1 (the “Env-1” slider in the Cross Mod section). The Jupiter 6 is more >sophisticated than the Jupiter 8 in this respect – it allows envelope-controlled FM depth, whereas FM depth is a fixed setting on the Jupiter-8.
So, is it exponential or logarithmic FM?
>
> Jupiter 8 “Cross Mod” is FM from VCO2 modulating VCO-1. This is described in the manual as “ring modulation style effects” which is true in as far as they can both produce non-harmonically related pitches. Technically, they’re not similar at all.
>
> Note that this FM is fed to the 1V/Oct CV input of the oscillator, so it is exponential FM, not linear FM.
>
> The Jupiter 8 also offers classic hard sync from VCO-1 (master) to VCO-2 (slave) with its “sync” switch.
> Jupiter 6 Cross Mod and Sync
>
> Jupiter 6 “Cross Mod” is FM from VCO-2 to VCO-1, just like the Jupiter 8. There is a CEM3360 VCA which controls the amount of FM, and this can >be set manually (the “Manual” slider in the Cross Mod section) or via Env-1 (the “Env-1” slider in the Cross Mod section). The Jupiter 6 is more >sophisticated than the Jupiter 8 in this respect – it allows envelope-controlled FM depth, whereas FM depth is a fixed setting on the Jupiter-8.
So, is it exponential or logarithmic FM?
Re: Ring Modulation...and more!
Its interesting that. I have always wondered why I can get all this insane sonic evolving territory on the JP6 that I cannot get on any other FM implementation. Maybe its the multiple waveforms combined within the VCO's that give it the unique effect.
Do you think that routing several oscillators into a mixer and then using them to do FM on one of the oscillators would do something similar?
On this site someone was asking the same thing and says:
"A few (vague) sources on internet forums suggest that the cross-modulation is exponential frequency modulation of oscillator-1 by oscillator-2."
https://music.stackexchange.com/questio ... -synthesiz
Do you think that routing several oscillators into a mixer and then using them to do FM on one of the oscillators would do something similar?
On this site someone was asking the same thing and says:
"A few (vague) sources on internet forums suggest that the cross-modulation is exponential frequency modulation of oscillator-1 by oscillator-2."
https://music.stackexchange.com/questio ... -synthesiz
Re: Ring Modulation...and more!
I got X-MOD on my JP-8000, sounds extremely digitally agressive when I play it. But might investigate again to see if I can get JP-6 results but I doubt it :p
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Re: Ring Modulation...and more!
poly bonk wrote: Thu May 28, 2020 3:58 am Its interesting review of phenq. I have always wondered why I can get all this insane sonic evolving territory on the JP6 that I cannot get on any other FM implementation. Maybe its the multiple waveforms combined within the VCO's that give it the unique effect.
Do you think that routing several oscillators into a mixer and then using them to do FM on one of the oscillators would do something similar?
On this site someone was asking the same thing and says:
"A few (vague) sources on internet forums suggest that the cross-modulation is exponential frequency modulation of oscillator-1 by oscillator-2."
https://music.stackexchange.com/questio ... -synthesiz
Nice track shared by @polybonk
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