That explains all! Thanks! Yep, i just wanted to know if, for example, we could route the output of a filter directly in the input of another filter. For parallel puroses, the 4 filters are already in that state. The idea of using the output of a filter as a source of frequency modulation is gorgeous, only possible until now by modular systems.
Yeh the plugin-manual would be fine as a temporary reference. Whatever suits you anyway...
jws wrote:Ah, the April foolery even made it to this forum. I do remember the Sage . . . probably the best synth hoax of all time.
Certainly the best synth hoax yet!
I have a great deal of respect for "Elhardt". Especially as a sound designer, but also as an enigmatic prankster. It's such a pity he doesn't make the products (few, but absolutely stunning) of his sound designing talents available…
I'm working with a new update I just received, and hope to have some new audio for you over the weekend.
Also, a bit more news on some hardware decisions....
Yes, the microtuning function is still planned - this is something that gets coded towards the end of the development cycle, but I don't see why we won't have at least a couple of user-definable tuning tables in there. Of course, I have the proposal from Robert Rich for the extended MIDI Tuning spec (allowing real-time switching of tuning tables), but it remains to be seen if we will have time to properly implement it, or have something initially a little more basic.
Thanks for the updates John. I'm glad you were able to make something happen with the Kurzweil ribbon controller. I think they are very expressive.I also like the idea of a special edition model for those who pre-ordered. A signature plate and led color wheels sounds cool.
I have used the ancient Kurzweil Expressionmate w/ the Solaris plug-in for Scope and already am frothing knowing that I can have an additional Ribbon for the hardware model.
If the Super Ribbon can do half of what the EXPM. can do, we are all in for one ---- of a ride.
I thought the ribbons were exactly the same. The box that comes w/ the expressionmate provides the functionality while on the superribbon the functionality is provided by the user's synth; Is this correct or am I missing something?